the lobster theremin white label debuts yet another young producer in the shape of the leeds-based hedge maze. with a tightly crafted, hazy, blissed-out house sound these three tracks have been culled from the muggy undergrowth of his northern harddrive. untitled is a chattering roller, smothered with a throbbing, wavy bassline and ending in a fuzzy, chord-soaked crescendo, while the slow, drudging rhythms of dysania give a heavy nod to some of lowtec s down tempo numbers for the label. the release is rounded out with the glistening, black-sun shower of (slow). all delay-drenched crystal stabs and oscillating soundscapes. a floating, ethereal trip into the afterlife.

messalina keeps up the pressure with another fantastic assortment of balearic gems including a heavy steel drum version of the classic *papa was a rolling stone*, plus *peace & war*, a throbbing afro disco groover with phat bass, funky synths, killer piano hook and a great positive message. its over to brazil on the flip with the brilliant *katarina*, a slo-mo chugger full of rio flavour edited to perfection by balearic maestro andy kidd with the promo already receiving a lot of attention in ibiza. lastly we have *crioula*, lucci capris floor friendly version of a lost jose roberto samba funk classic. top quality all the way.

buried treasure präsentiert zwei edits von tony mcphees kultklassiker the hunt von seinem 1973er album the two sides of tony mcphee. der song mit seinen stark verzerrten elektronischen sounds ging bands wie throbbing gristle, suicide & cabaret voltaire voraus. für fans von groundhogs, 1970 s rock, prog & industrial electronica. limitiert auf 300 stück.

is it balearic bring the heat with a stunning release from sorcerer. the first track is zulu honda. skipping thick drums and a bouncing bass overlaid with nu med guitars and beautiful synth lines. this track is made for pool parties and lofts. the second track is afro vibes a more atmospheric percussive groove. maribas throbbing bassline and slightly melancholic guitars eventually make way for a subtle acid accent before returning to the groove.. salins jockey club remix zulu honda adding some lovely elements while holding the original feel. top draw from the dependable iib crew

launched last summer, the 124black series has been a fine addition to the more established 124recordings label that promotes a darker, harder sound whilst remaining firmly rooted in the underground. a third release on the series retains the focus on new and upcoming producers with demuja, the knight cats, tijn, and jekyll all present. building on the raw and crisp style of house shown on numerous digi releases, demuja sets the tone perfectly with the stripped back throbbing delight that is everytime, whilst paris duo the knight cats add some 90s flavour with the excellent we know that. tijn arrives on 124black after impressing with a recent outing on djebali and diss you is a fine b side burner along with jekylls rattling transition dub.

for a brief moment turin was italys sheffield, producing an astonishing number of diy electronic groups. in the context of a wider europe, italy has never been thought of as a hotbed of minimal electronic music, but mannequin records compilations danza meccanica: italian synth wave 1982-1987 have shone a light on a scene little heard, even within italys borders. but the history was still incomplete ... some new horizons now must be unveiled, showing that between the years of 1982 and 1984, the city of turin in northwest italy was home to a quiet underground renaissance of experimental electronic music.

in his first outing since 2011s now classic the orange place, test pressings paul byrne teams up with sades andrew hale for the light machine, a low slung, throbbing, acid led piece of gorgeousness that has been getting rave reviews from the balearic mafia all over. for esp paul teams up with yellos producer / engineer ian tregoning aka the stranger for another intoxicating piece that recalls the best moments of the art of noise if they were still making music in 2014. a remix from swiss dj and perennial man of the moment lexx rounds out the package perfectly. golf channel every time!

gavin russom returns to ecstatic recordings sister label entropy trax for the fledgling labels second release. building on the brooding atmosphere of the purge / enthroned with a pair of throbbing, synth-powered & acid-infused cuts, the telemetry/the benificent, the merciful 12inch draws together sonic touchstones found in russoms many projects, black metoric star, the crystal ark, and his work with delia gonzalez, melding them into two singular productions that pump and drive like the sequenced machines that power them.

after making waves with early and idiosyncratic eps on labels like rush hour and astro:dynamics, singular uk talent bnjmn now steps up to make his debut on delsin with six tracks of experimental and inventive noise and techno. coil opens his account with screechy, unnerving synths squeals, imposing and throbbing pads and super deep kick drums that come at you from miles below. it s a hugely textured and spine tingling affair before the ambiance of berth comes rippled with glassy and alien little melodies. merge has turbo charged drums hiding beneath more unsettled synth based noise that sound sernee at the same time as being paranoid. on the flip, and suddenly makes your hairs stand on end with is gothic celestial glow and slithering synth patterns, blown is a damaged and degraded bit of icy, thumping and reverb heavy techno and azure ends on a brain soothing, chilled out ambient high. these are the sort of truly unique and magically textured tracks you would expect from a producer like bnjmn, and mark a fine debut on delsin.

r&s are proud to introduce hugely talented new signing alma construct, aka 19 year old josh thompson to the world for his debut self-titled ep. from the throbbing bounce of balearic opener *on the edge, surrounded with the shores of assudrey* to the menacing hum and snarl of *deer drink from the river* it is clear that alma construct music is wildly ambitious and expressive.

the supremely talent william burnett makes a belated return to emotional response, and this time he s got brooklyn-based studio pal john beall in tow. those who enjoyed the duo s release on the l.i.e.s. white label series should lap up shimmer. it hits hard from the off, with -snaker charmer- delivering a velvet-clad punch to the guts. it s techno right from the top drawer, with darting electronics and drawn out pads riding a thunderous groove. the title track is impressive, too, with surging electronics and throbbing synths riding a techno-tempo groove crafted out of an old hardcore breakbeat. there s some more considered fare on offer, too, with the shimmering ambience of -hold me take me leave me- completing a superb package.

(krikor rmx) maestro is tigersushi s new gem discovery. krikor revives the industrial filthy groove of maestro s heros throbbing gristle and chris & cosey. dark and sexy.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

the debut album by redredred, a contemporary artist from san francisco. michael wood, formerly of duo primary colors, began this project in 2012, taking inspiration from front 242, einsturzende neubauten, throbbing gristle, nietzsche and sartre. wood utilizes a simple setup of vintage analog synthesizers and drum machines, and records them on reel-to-reel

for their fourth transmission, happy skull presents a trio of dystopian fantasies from analogue maverick marco bernardi. opener floating is a throbbing trip in to rattling techno territory complete with discordant chords and bubbling acid lines. broken boiler offers a trademark bernardi fusion of sweet, visceral melodies and raw machine drums. rounding things off is upside in , a fearlessly wonky voyage in to freaky techno-funk.

loose records is proud to introduce preview! a throbbing collection of unreleased eps on vinyl by europes top, underground techno artists. paying tribute to the great techno artists who pioneered european techno, our artists have experimented with new loops and effects to create a new, fused genre. this collection will be available exclusively to vinyl stores. lr32.5 preview is the first release in this collection. it features a two track promo created by fractious as well as a collaboration between audiomatiques and frankyeffe.

first class deep and mysterious dynamism. zefzeed on the spot. the throbbing magic of ronson and philly gives the fuel to 15th release of all inn black series

michal wolski wastes no time with derivate, his first appeance on vinyl. clipped percussions arc and swoop around a throbbing 909 kick as a grinding bass and ragged open hats begin their dark business. crystalline lead synths raise the tension and climax with a brutal filtered clap and jarring percussion.

limited to 400 copies on yellow transparent vinyl.
mace. continues its path of sound experimentation to dark and throbbing scenarios with this first ep entitled *the heavens are already theirs*.

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.

l.a.g second 12inch comes in the form of a head-to-head featuring point break and jordan. each take a side and two tracks each, providing lush melodies, throbbing bass and a forward thinking take on house/techno. seriously killer jams, highly recommended!

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

after exploring over 6 hours worth of unreleased original material from the relentlessly prolific and ever expanding production catalog of will azada, cgi is extremely proud to present these 3 stand-out cuts that represent a depth of production skill and aesthetic range unparalleled in today’s over-saturated dance music landscape. confronting the clichés head-on, azada breathes new life into tried-and-true templates of jacking, industrial funk and synth-y groovers with his remarkable ear for arrangement and sense of movement, masterfully exploiting the infinitely renewable resource of subtle variations that he continuously unfolds throughout the tracks’ durations. the material runs the gamut from the stark, throbbing, industrial workout “the whip” to the melody-driven, synth-fueled ecstasy of “michalski’s theme” and the chord-driven, vocal-chopped house of “cliché.” the fact that an ep this unique and diverse can also feel so unified is a testament to the vision on display here.

two hot bottin remixes in this 12inch - first is a heart throbbing disco take on elitechniques love triangle. on the flipside stealth by philippos niforakis gets the full italo robot funk treatment. both sides guaranteed to work on the dancefloor! small designer edition of 200 copies, so dont sleep!

prime numbers highlight the most hyped trus me track from his >treat me right< album released earlier this year. somebody is an insistent, throbbing production championed by many a dj in 2013 including daniel bell, mcde, deetron, ben klock, bicep, nina kraviz & guy gerber. hypnotic acid bass pulses under shifting cymbals & claps with jacked-up, penetrating snare breakdowns. simple, classic & effective. following his recent excursion on the ann aimee imprint mosca remixes for the flip. dropping the tempo he indulges in a burning bass heavy affair, stripping the minimal original even further back & subtly crafting the parts to create a spacious, heads-down groove. a masterful rework indeed.

continuing a busy 2013 after ultramajics inaugural release *hot inside* as well as debuts from the elusive aden and creepy autograph, jimmy edgar returns to his own occult-inspired ultramajic imprint with the mercurio ep, three tracks of throbbing sampladelia as undeniably robotic as they are irresistibly funky.

heavy moving rhythms and interwoven throbbing modulations guide you through dance floor euphoria

kaiserdisco start the single with el tiburon that has a pulsating bass line, which isnt for the feint hearted. this peak time stomper uses a melodic synth and unusual synth effects to create the building atmosphere before it kicks back into the throbbing beat.

title track mira will be sure to make dancefloors move effortlessly with its euphoric, house-inspired synth stabs and throbbing bass progressions. last years impressive debut is set to be eclipsed by the forthcoming mira ep and welterweight is one reason why. boldly contagious,welterweights undeniable bounce is brought to life via sinister bass and humanized by the yearning vocals of baio, before the chorus makes for an all round hands in the air moment as an array of blissful synths and warped melodies take over.

sneaky music is the new imprint from andy bird, the man behind the infamous love fever parties, and producer ranacat. to kick off the new label they have chosen silk 86 to roll out the honours with an ep that showcases silk 86s evolution from the well received clear waters debut on manuccis mistress. the pleasure venture represents a compelling package of crisp production meets gritty warmth with a splash of that 80s sleaze. the pleasure venture ep leads with *felicity*, a production oozing with warmth from the offset. hypnotic vocal cuts pepper throbbing pads and bass stabs giving way to a meandering melody that weaves in and out. on the flip, *the exchange* fuses classic percussion of the windy city and a zig-zagging pad sample hinting at low slung 7am sleaze. *nightdrive* is when the freaks come out, as silk 86 hits eerie vocal snips to a twilight swansong that will disorientate and delight.

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

with prior releases on semantica and subsist, the enigmatic shxcxchcxsh introduced their unique understanding of industrial-leaning techno to avian with last years 12-inch rjrjrffrjrj. avian is now proud to announce the swedish duos first full-length album.
strgths features 7 scuffed, throbbing industrial tracks. initiated by the drones of slvrbbl, the openers atmospherics soon give way to the more direct, beat-driven lttlwlf. rsrrctn brings dubbier elements into play before leading into lvngwtrs searing melody and acidic dynamics. pctstss accelerates up to the records zenith, before descending back into the darkness for the cold steel rhythms of whtlght. closer lldtmps evolves over the course of its near-12 minute running time to move from unsettling, disorienting tension to a warmer, contemplative climax.
the lp marks avian s first full-length album release and will be preceded by a 12-inch featuring reconstructions by label bosses shifted and ventress, plus label acolyte sigha.

*foundation* is the new ep from especially good, the most exciting band from detroit in recent memory. the eight track ep showcases the trios dynamic energy of julio dominguezs vocals, joe flis synthesizers and drum programing and paul kirys bass - culminating in songs that are equally raw, brutal and honest. the sound of e.g. exists in a space of its own, but one can hear influences of throbbing gristle, factory records and detroit techno in the rhythms and sonic textures throughout *foundation*. recorded and mixed in detroit by sam consiglio and adam lee miller (of adult). released on est. 83 records

special remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g vinyl.tripmastaz explores beyond the definitions of min and max and loops our minds attention back onto throbbing bass & shuffled percussion that remind us how close house & techno really are.

bryan ferry meets carl craig meets 909 drumtracks produced by an unnamed member of throbbing gristle. chase smith is a studio wizard living in pittsburgh. he shares a studio with shawn rudiman and the boys from pittsburgh track authority. a record so diverse that it makes total sense. vocal sleeze, emotional instrumentals, and a beating drum track for the djs to play with.

new label tough luck records marks their first release with rebels history e.p. packing 4 tracks, which really showcase what tlr are all about. experimental, throbbing sounds, groove-laden basslines and heavyweight percussion designed for the club

limited edition of 300 copies on red vinyl.
not waving --> remote viewing --> extra- sensory perception --> sensing with mind --> remote listening --> i want to give a sound to places i dont know - throbbing // textural // noise // processed // casualties // mistakes // accidents // anxiety // claustrophobia // abandon // absention // escapism. inspired by 80s weird italian electronica, manuel gottsching, peter bauman, this heat, ike yard. remote viewing is a powerful, paranormal technique developed in the 1970s at stanford research institute and used by the us government. analog pedals//synths//drum machine//guitar//violin//voice written, produced and recorded between september and december 2012 in london.

the chasing voices collective returns with another offering of ambitious electronic music from the other side. scold is a forced march through the acid-burned depths of new york citys depravity. sprawling, syncopated patchworks gradually form a vision of asbestos infested warehouse spaces and rusted-out ruins, throbbing with the pulsations of technos transformative promise and wounded sentimentality. combative, brilliant and dynamic new music for and from new rome and beyond.
single-sided pressing.

for adjunct26 we bring back one of the adjunct founding fathers konstantin gabbro aka papa sang bass. for the all the way back in time again ep, konstantin goes deep sea diving with heavily textured sounds and rhythms that wont let you go. this is the late night stuff folks! late night funk for late night minds. in remix land we have a heart throbbing deep bass mix by sonja moonear (ruta5, perlon) on the 12 inch of the a side gem barb coating sonnet. a must have for all lovers!

after the glorious debut we go straight ahead ep for luv shack last summer, a welcome return for lesale with his lesexe / symphony release. thumping drums and throbbing bass await prerequisite footwear in lesexe. and you better have a pair of some serious leather that can withstand a night heavy shuffling as lesale gets his boogie boots and swagger on. original gets tight and mighty with a groove that just demand you stomp up a floor or two in search of the booty. aroused and alluring vocals dampen all the right places and also set up for a long night of passion. the guy knows how to sex you up for sure!

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

brimming with subversive energy, searing wit and gallows humour, *luftbobler* is the debut album by dinos chapman. consisting of 13 tracks of electronic schlampige musik, *luftbobler* is the result of a decade of experimenting with sound. inspired by insomnia, horror movies and boredom, and made in a diy fashion in the basement of his east london home, *luftbobler* reflects dinos chapmans interests in the industrial pulse of throbbing gristle, willful experimentation of stockhausen and impish playfulness of squarepuscher, but sounds like none of them.

the revenge has created a devilish duo of *lose my head* dub remixes to contrast against the funky original from brooklyn synth-pop quartet body language. relentless builds, tight drum kicks, and a hypnotic 303 bass-line create a perfect detroit house beast named dub 1. his equally naughty brother dub 2, will transfix you with throbbing chords and tight percussions, building up to an epic swell of dance-floor mania, beware of the insanity-causing drop!

the second part of the two part series featuring new tracks by developer, ascion and new rising talent elyas. four deep throbbing techno tracks made for loud systems and packed floors. the release has already been getting play by numerous international talents and the response has been huge. dont sleep!

killer cut by french newcomers club bizarre. comes with huge remixes by chloe (kill the dj), matt walsh (clouded vision) and label co-head catalepsia. expect electronic new wave, throbbing dark bass and hyphnotic pads. limited to 250 hand-stamped copies on 180 gram heavyweight vinyl.

steadfast is proud to present a collaborative project made up of speedy j and brendon moeller. neither of these artists need introduction. their contribution to electronic music and club culture is well documented.
these 4 tracks are the result of jam sessions in speedy js rotterdam studio in may 2012. inspired by their love of krautrock and techno, these tracks possess a spaced out psychedelic and experimental vibe but also maintain grooves that will adequately keep a dancefloor throbbing. music to immerse oneself in. enjoy!

to coincide with the hugely successful london event fleetmac wood a night entirely devoted to the mac and their edits, this new release delivers a throbbing aa 12inch of musical joy courtesy of psychemagik & redken.

mowar enters autumn with the 2nd instalment of deep floors, once again exploring the deeper grooves of techno. first up is ohios fbk, whose first release already goes back to 1996 on the legendary frictional records. with she brought me there fbk opens the dance with a solid deep dancefloor groover, driven by a hypnotic hook and infectious chords. stripped down and yet full of atmosphere. after that uks tom dicicco and italys roberto bosco team up to deliver all dem, another stripped affair with rolling drums and chord stabs, a solid blend of deep hypnotic layers of groove. on the flipside we find spains aiken with a strong detroit-infused workout, in-your-face kick drums, jacking rhythms and dramatic strings. your turntables will love it. last but not least, a new belgian upcoming producer stevie p delivers a dubbed out functional deep techno track with hip-sensitive chord stabs and a fiercely throbbing rhythm.

nice price deal !!! anna meredith will release her debut ep, black prince fury, on limited edition 180-gram heavyweight vinyl on 15 october via the vinyl factory / moshi moshi records. the four track ep opens with the throbbing horn fanfare of nautilus, premiered online today, and goes on to explore lush psychedelia and slow build, downtempo electronica across 18 minutes of inspired soundscapes.